2nd paranoid london album on double vinyl.

when reggae masters turn hits into jamaican groove. sly robbie, alpha blondy, marcia griffiths, horace andy, morgan heritage, gregory isaacs, inna de yard, alton ellis, ken boothe, jimmy riley... they all play the game with their new versions of hits of today and yesterday.

a collection of 30 sensational hits from the sixties on heavyweight 180 gram double vinyl, housed in a gatefold sleeve.

2019 repress! reissue of this essential black uhuru - sly & robbie produced, extended mixes!

a collection of hits from bob marley, that didn’t became mainstream - plus tributes on side b.

blond london wonder joe corti is back on better listen to kick off whats sure to be a big year of releases for him. fourth base balances big party tracks meant for roughing up the room (oh lord) and the title track, for instance) as well as the sly filter disco sound of lula and the surely anthemic the first time

carib roots, jazz, mento, latin, merengue and rhumba from the vault of jamaican label federal records, 1960-1968. the double vinyl is housed in a gatefold sleeve.

sly & robbie present a collection of 12 reggae masterpieces on vinyl lp.

der beliebte sänger tarrus riley sendet erste signale für sein in 2019 erscheinendes neues album. guess who entstand in kooperation mit sly & robbie, shane brown und dean fraser, die als produzenten fungieren, und zeigt tarrus von seiner roots & culture-seite. auf der basis eines druckvollen steppers riddim mit prägnanter snare-drum und einem vocal-feature von mykal rose (aka michael rose) aus dem black uhuru-klassiker guess who s coming to dinner- sowie einer exklusiven sly & robbie dubversion auf der b-seite, bleiben hier keine wünsche offen. hit!

soul classics is the latest exclusive to vinyl release on demon records. 4 sides of vinyl containing 30 tracks of sensational soul music, housed in a gatefold sleeve with original artwork featuring the biggest soul legends.

three years incubation, visionquest compadre antonio thagma returns to follow up his evergreen ‘leather soul’ ep. taking off where his molten constructions left us in 2015, it’s another kinetic experience where the groove is full, and only, focus… and the one and only ricardo villalobos is on hand for a genuinely beautiful remix. ‘sferikum’ instantly locks you in: upbeat with a subtle strut and a maze of psychedelic textures, this one is all about the rolling subs that underpin every element, bringing everything together with fluid motion. it’s backed by the broken electroid charm of ‘everything i wanted’. spacious, pensive and laced with an array of dizzying details from sly acid sinews to crafty drum variations by way of a sudden heart-stopping breakdown. truly, this lives up to its name. complementing these two exceptional originals, and celebrating antonio’s return to visionquest at the highest level possible, villalobos has been recruited for remix duties. a key staple of his sets this summer, it’s a singular 13 minute trip rich in subversion, twists, glitches and surprises. but, as always, the groove is the full, and only, focus. welcome back antonio…

limited edition transparent green double vinyl with download code for all 32 tracks.

follow up helium robots ep for running back after 2012s crepitation which came with legendary theo parrish reworks. bleep ep is featuring 4 original works from the bots

keine andere musikrichtung ist so mit dem sommer verknüpft wie reggae. sobald die wärmsten tage des jahres beginnen hört man aus den cabrios und auf vielen partys die rhythmen aus jamaika. natürlich darf der größte aller reggae künstler nicht fehlen: bob marley. außerdem gibt es hits von beenie man, gregory isaacs, sly & robbie, john holt auf vinyl.

die gesuchte 12-inch maxi-single aus dem jahre 1979 wurde mit den original labeletiketten in der legendären greensleeves disco-bag stecktasche neu aufgelegt! - eingespielt seinerzeit mit den musikern der revolutionaries (um bandleader sly dunbar) sowie komponiert, arrangiert und produziert von johnny clarke handelt es sich um zwei bemerkenswerte roots reggae stücke in ihrer extended version (vocal & dub). seite a hat die 6:28 minuten version von -jah love is with i- und seite b die 5:52 minuten version von -bad days are going-.

soul sugar drop their own reggae version of marvin gaye’s -i want you-. french outfit soul sugar – the brainchild of guillaume “gee” metenier – deliver yet another soulful reggae 12”, this time a cover version of marvin gaye’s 1976 classic -i want you-. jamaicain native leonardo carmichael sings lead vocals and legendary drums and bass duo sly & robbie add their flavor to the mix, with two versions on side b. marvin gaye’s single -i want you- was a big step forward for his sound & vision and marked a change in direction – from hip motown soul to a more sultry, disco sound. marvin s vocals are notably intimate and the lyrics are more explicit, more personal. an original soul classic, -i want you- is memorable for its unique combination of lush harmonies, a mesmerizing groove and the apparent sexiness of the theme itself. soul sugar s discomix version combines a smooth mixture of reggae, soul and funk over beefy bass lines, designed for heavyweight sound systems. sly & robbie, rhythm duo known for their studio work on countless reggae classics since the 1960s deliver their version, taking us back to the golden age of reggae, the days when it was typical for jamaican musicians to record their own versions of american soul tunes ... ace producer jahno dubs the mix live and direct to tape, from his very own n.o.f studio

for its third release, here to hell welcomes melbourne (via adelaide) veteran, rambl, and his incredible groover “doss”. this third release on the label happened purely by surprise, and what a discovery! the track itself is no accident, but the signing took place after a chance encounter. richard campbell aka rambl, who is one of melbourne’s best and most consistent djs since the last two decades, had developed a small cult following of viewers via facebook, where he had been providing live video coverage of australia’s wild weather in a kind of comedy-weatherman format. once these updates caught our attention, the magical facebook algorithm placed all of his content at the top of our feed.

san francisco in the late 1960. the hotbed of psychedelic and rock culture. the dead, joplin, jefferson airplane and a host of others all gaining mainstream acceptance for their acid tinged work. but the city and the surrounding bay area had so much more going for them. a liberal political outlook and a large african american and latino population, meant that musical and cultural reference points were wider and more easily assimilated there than (almost) anywhere else in the united states. two of the biggest groups to emerge from this scene were santana and sly and the family stone, with their melting pots of sound that took in jazz, soul, rock and latin influence. for a while they were two of the biggest acts in the united states and scores of local bands tried to follow in their footsteps. they were hard acts to follow and very few got to the stage of making a 45, never mind a whole lp. one of the best to do just that were leon’s creation, whose debut lp “this is the beginning” acid jazz are reissuing here. a native of san francisco leon patillo led the group, whose multi racial line-up echoed that of his heroes on the local scene. self contained and gigging locally they made their debut album at the tiny studio 10 who also custom pressed the album in extremely limited numbers the music is a perfect blend of acid soul, mixed with hippie sentiments that will get you dancing on the uptempo numbers such as the title track, ‘back roads’ – with its glorious harmonies and the soaring ‘power’. more thoughtful numbers such as ‘until you were gone’ or ‘love’ will touch your soul. so impressed was carlos santana that he eventually asked leon to join his band.

elevate melodies are back with four toe-tapping, finger-snapping, dancefloor slaying heaters, all on wax. side 1 takes off with the griffes’ remix of jay airness’ “she staying”, all sumptuous keys, sun dappled strings and peak-time beats propelling the track ever forward. venice beach then takes on sly moore’s seismic “muoosic”, dropping the tempo and creating a super low-slung slab of electro funk, one for the 100bpm crew. on the b side, lord funk takes on “black les grues de nantes” from victorius, turning it into a jazzy workout with slap-bass, chopped up vocals and dusty vinyl crackles giving it a classy 90s feel. and rounding out the selection is new york dj and producer p-sol who applies his midtempo skills to “law and theory” from label boss jay airness, creating an atmospheric groove with some real funk and jazz flourishes. limited to 500 copies.

pets boot down the doors of 2018 with this generous five track version excursion. five of the label bosss most distinctive and decorated tracks from recent years get the treatment from five fittingly big names, this is how its going to go down… the one and only roman flügel takes the lead with a wonked-out trip down ‘basic colour theory lane. with a sly switch on the kicks and full emphasis on the alien encounter feels, his trippy take on ‘dont sets the perfect creative benchmark for whats to follow. dig deeper for a bumping, stripped back warm and jacking twist of ‘its happening by the currently unavoidable rutilance founder dj steaw while counter records pional breaks down their recent jolt of euphoria ‘rave history and rebuilds it into a slinkier, house affair, repurposing every spine-tingle and skin-ripple greg and voitek coded into the original. deeper again were treated to an exceptional twist of their green velvet collaboration ‘keep on as lawler injects a springy, molten momentum to the elements with a salubriously loopy machine funk feel. finally, for good measure, jonathan kasper wraps up their 2016 spiritual trip ‘elixir with a new sense of conga-riddled, bass-licked momentum. still reaching the highs when you least expect it to, the pay-off keeps giving and giving. a little like this whole ep

the magnetic buzz riddim brings us back to the jamaican early dancehall days where heavy rub a dub riddims used to rule the dance. fruits records studio band the 18th parallel travelled to jamaica and teamed up with reggae greatest bass player robbie shakespeare from famous duet sly & robbie to build the explosive and powerful magnetic buzz riddim. sylvan white, famous for hit songs like africans unite or mountain top recorded in the early 80s, comes back in the business after years off the scene with his beautiful song mother nature. then follows an experimental dub mixed by spanish wizard roberto sánchez featuring robbie’s crazy lead bass line. b side shows for the first time on vinyl record young promising artist from rockfort earth warrior followed by the sweet voice of veteran singer delroy melody whos famous for hit songs from 1980 like ease up the pressure and natty dread she want. heavy maxi 12inch record paying tribute to the early 80s jamaican reggae!

the magnetic buzz riddim brings us back to the jamaican early dancehall days where heavy rub a dub riddims used to rule the dance. fruits records studio band the 18th parallel travelled to jamaica and teamed up with reggae greatest bass player robbie shakespeare – from famous duet sly & robbie – to build the explosive and powerful magnetic buzz riddim. sylvan white, famous for hit songs like africans unite or mountain top recorded in the early 80’s, comes back in the business after years off the scene with his beautiful song mother nature. then follows an experimental dub mixed by spanish wizard roberto sánchez featuring robbie’s crazy lead bass line. b side shows for the first time on vinyl record young promising artist from rockfort earth warrior followed by the sweet voice of veteran singer delroy melody whos famous for hit songs from 1980 like ease up the pressure and natty dread she want. heavy maxi 12inch record paying tribute to the early 80’s jamaican reggae!

a glorious live disco workout harking back to the spirit of new yorks heyday when love and inclusivity ruled the dancefloor. featuring additional remix by rahaan. you need this in your life! you know that feeling when you hear a killer melody and it just sticks in your head and makes you wanna dance? call it disco, call it what you want, this song is packed with soul, emotion and a righteous hook, boasting a stunning vocal performance from us singer angela gooden and comes armed with heavy percussion, funky bass, and some serious rhodes. as part of a three track vinyl package on madrid label lovemonk, new york/madrid dj, producer and vinyl vendor oli stewart, better known as casbah 73, goes back-to-boogie-basics on the lead track, along with a b side re-fix by chicago s don of the disco edit, dj rahaan, and a full-on percussion jam instrumental cut. love saves the day is a joyous tribute to open-minded and inclusive clubs past and present with a sly nod to the seminal new york institutions like the loft and the paradise garage. but this record isn t some banal exercise in faithful reproduction, rather a exhuberant slice of soul-disco that reignites the spirit of these underground nightclubs, lofts and warehouses. casbah 73 has handpicked key musicians from around the globe and threaded all these together for a smack-you-on-the-lips belter, reverberating with positivity love really is the message. rahaan s on-the-spot offer to remix love saves the day came about after a chance meeting with casbah 73 in madrid. a couple of days were spent checking out records and drinking wine oli is one of europe s leading disco, soul and jazz vinyl dealers when he played rahaan an early demo. the rest, as they say, is history

2007 - 2017: heavenly sweetness is turning 10 years old! they are celebrating with 3 birthday parties, and 2 compilations! one is a best of the labels production, and the 2nd one is made of exclusive tracks, composed for this occasion. one is a best of the labels production, and the 2nd one is made of exclusive tracks, composed for this occasion. this compilation is a very subjective best of the labels production, from each album or single we had the chance to produce, with great artists. a journey through 10 years of music, a great introduction to the labels universe, but even the experts will discover unknown tracks. including well known artists such as guts, blundetto, sly johnson, anthony joseph, but also more confidential artists: robert aaron, jacaranda muse, patchworks (and his tribute to gil scott-heron)

orgone is back with more heavy funk from the west coast. a dark mood and deep groove set the tone for a funkadelic-like sort of vibe. both tracks featuring adryon de leon. previous releases by orgone have landed them on the billboard hot singles charts during their release week. for listeners of funkadelic, sly & the family stone, sharon jones & the dap-kings. heavy west coast funk

produced by sly & robbie at channel 1 in the early 80s. this killer viceroys tune was never released at the time, but was played by some sounds on dubplate and has become hunted by collectors ever since. great lyrics and a spare, heavy mix elevates this tune to more than something that didn t make the cut for release.

an incredible album from brazilian rock legend raul seixas – easily one of the most important artists to emerge after the tropicalia generation – and a singer with a sound that’s as striking as his image on the cover! the album’s got an explosive blend of styles – everything from psychedelic samba to country rock to easy rock tunes – all bound together by the strong sense of presence that helped seixas elevate to become one of brazili’s most controversial rock stars of the time, all with the kind of legacy you might expect from the cover image! the sound is great – very different than what american and anglo groups were doing at the time, although with sly nods to their modes from time to time – and titles include the english track -how could i know-, plus -as minas do rei salomao-, -mosca na sopa-, -cachorro-, -al capone-, and the strange electronic -introducao-.

wiederveröffentlichung von al campbells rainy days album aus dem jahre 1978, produziert von hugh brown.
band line-up: robbie shakespeare, ranchie mclean - bass, sly dunbar - drums, ranchie mclean, bingy bunny, boo bpeep - rhythm, glady anderson, winston wright - piano, ansel collins, winston wright - organ, sticky, skully, sky juice, barnabas - percussion, skully - bongo, tommy mccook, hedley bennet, bobby ellis - horns, rad duggie bryan, ranchie mclean - lead guitar

wiederveröffentlichung auf 180 gramm vinyl von al campbells diamonds album aus dem jahre 1979 produziert von linval thompson.
band line-up: robbie shakespeare, ranchie mclean - bass, sly dunbar - drums, ranchie mclean, bingy bunny, boo bpeep - rhythm, glady anderson, winston wright - piano, ansel collins, winston wright - organ, sticky, skully, sky juice, barnabas - percussion, skully - bongo, tommy mccook, hedley bennet, bobby ellis - horns, rad duggie bryan, ranchie mclean - lead guitar

back available as a limited vinyl edition (500 only) for the first time since 1985. featuring key players like bernie worrell, bill laswell, mory kanté and herbie hancock ! manu dibango needs little introduction, born in cameroon in 1933, manu developed a musical style fusing jazz, funk, and traditional cameroonian music. he’s definitely among the best known african artists outside of africa. collaborations were numerous and include top acts like fela kuti, herbie hancock, bill laswell, sly & robbie, don cherry and bernie worrell. in addition to selling hundreds of thousands of copies of the albums he recorded, he played such huge venues as yankee stadium and madison square garden.

the label of the post-autonomous kindergarden from berlinÆs east cross awakes after a long beauty sleep. weÆre back behind the decks with a lineup that is carving out contemporary techno. finnish producer samuli kemppi, from helsinki, has accompanied us since the beginning of our club. musically, he stands for a minimalist, crystal-cut sound hailing from galaxies far, far away. fabrizio lapiana is a long-time friend of the house. his sounds are able to expand even the smallest dance floorsùhe sculpts spacious soundscapes and sends dancers on a deep dive into dark and melancholy travels. we are particularly excited about the presence of our resident akmÛ, who comes to us with energetic release after his first ep on connwax. he will be bringing his steadfast love of detail and sly playfulnessùelements present in all his dj-sets. with these three numbers, the ://about blank 002 has compiled the best of the mdf soundtrack. next stop after powernap: lobby and garden. rave on!

as is the case with fellow ‘enforcers’-turned-producers, henry ‘junjo’ lawes and philip ‘fatis’ burrell, george phang had been involved in the internecine street battles that had split kingston into rival politically-aligned zones during the 1970s, when the broader effects of cold war politics were played out in jamaica. following some encouragement from sly and robbie, phang changed focus, putting the politics aside to concentrate on music production, becoming one of the most important producers of the early 1980s in the process. phang took over the rhythm twins’ power house label around 1982, and with the duo forming the mainstays of his productions, the result was guaranteed audio dynamite, as this killer devotional track by barrington levy from 1983 so amply suggests—a beautiful extended slice of late roots, heading towards the emerging dancehall style.

delroy wilson the original ‘cool operator’ was also known to many as ‘teacher’. a title given to him as he unselfishly taught the up and coming singers including one youth dennis brown, the art and delivery of singing technique. delroy’s rich tone to his voice added a depth to any song that he chose to sing. delroy wilson (b.1948 kingston,jamaica) began his musical career at the school that was coxonne dodd’s studio one label. after a brief stop in 1969,which saw delroy working for producer sonia pottinger’s tip top label. again producing such hits including ‘it hurts’ and ‘put yourself in my place’. the 1970’s saw delroy wilson’s arrival at bunny ’striker ’lee’s door and what would result in a winning formula,scoring hit after hit. it is from this great period in delroy’s career that we have compiled this selection of killer tunes,cut with the drum and bass rhythm kings themselves sly dunbar and robbie shakespeare.such classis as ‘who care’ ,’can i change your mind’,’get ready’,’you must believe me’ and the timeless title track to this collection ‘here comes the heartaches’. an album of great tracks cut with ‘the hitmaker from jamaica’ bunny lee and his team. a match made in heaven….enjoy the set….

cult japanese reggae/ cosmic dub lp. featuring an all star line up including: sly & robbie, augustus pablo, minako yoshida + core members of soul syndicate and the wailers. direct reissue of this 1980 original. next stop in rh store s japan series!

hochwertig produzierte lp-kompilation für anspruchsvolle musikliebhaber.

mörk white finally launches to provide a small sub-outlet for more off-mörk sounds. exploring rougher edges and surfaces as well as some more minimalistic and stripped back areas and a bit of sly electro.
no moon opens up the series with 2x12”s of vintage warmth & fire. rollocking techno production and alien vs predator atmospheres & wails on space station kicks things off, rolling into the crunchy piano roller that is unusual light curve - undulating chords & bass washed over pretty much the entire package.

mörk white finally launches to provide a small sub-outlet for more off-mörk sounds. exploring rougher edges and surfaces as well as some more minimalistic and stripped back areas and a bit of sly electro.
no moon opens up the series with 2x12”s of vintage warmth & fire. rollocking techno production and alien vs predator atmospheres & wails on space station kicks things off, rolling into the crunchy piano roller that is unusual light curve - undulating chords & bass washed over pretty much the entire package.

die essenz des dennis brown auf einer vinyl-lp ist in limitierter auflage für kurze zeit wieder erhältlich. mit zwölf ausgesuchten hits auf einem longplayer, ist die zusammenstellung von “love & hate” ausnahmslos gelungen. hier finden sich die besten stücke des sängers, die mit den produzenten sly & robbie (taxi productions), joe gibbs, niney the observer, derrick harriott (chariot productions), tad a. dawkins (tad records) oder in eigenregie für das eigene label yvonne s special entstanden sind - auf der rückseite der lp-hülle sind die wichtigsten textzeilen abgedruckt! dennis emmanuel brown (geb. 01.02.1957 / gest. 01.07.1999) war bob marleys lieblingssänger und wurde von ihm zum “crown prince of reggae” ernannt.

it really feels like we (aka mad mats & tooli) have been around way longer than 5 1/2 years with local talk, but it s really true what they say, time flies when you re having fun! from what started as a somewhat simple and almost primitive urge to create a small house imprint has now grown into a much bigger affair. we really tried hard to keep the label from getting stuck in any genre (remember 90s house?) and to always keep the local talk relevant, curious, diverse and with a healthy dose of underground mentality. from our very first release with bassfort s excellent moon shadow in the summer of 2011, we had a crystal clear vision of what local talk should represent...house music in any way, shape or form! over the years we released soulful, disco, jack, afro, vocal, deep, jazz, tech, latin, old school, acid, uk, berlin, new jersey, detroit and of course chicago inspired house music. if it made us bump...we put it out! this brings us up to today and about +80 releases later. we thought about how we best could sum up these first 5 1/2 years and immediately the image of blaze s classic album 25 years later popped up. besides the fact that it s an amazing album cover it also a good representation when different musical genres fuse together. it s not strictly a house album but just as well a r&b, reggae and soul album. this fusion and variation of house sounds is something that we ve tried to capture on our 5 1/2 years later compilation, split into two parts. on part 2 you ll find a high energy disco rub from parisian s3a, a truly deep and soulful vocal jam from boddhi satva & sly johnson, a deep uk garage production from smbd (aka simbad), a dark and electronic affair from toto chiavetta (yoruba) and finally a musical acid number with that magical bristol touch from newcomer marcel lune. all in all we think we got most angles covered and hopefully this album will make you spread that chalk on the dance floor and get down...local talk style

the sound of detroit by one of its unsung heroes, amp fiddlers new album motor city booty coming straight off the d funk assembly line, a full on dance floor affair from motown to p-funk, techno and neo soul. this 12 track album produced by amp fiddler & yam who? includes the massive soul fly sounding like a mark ronson production had he been hanging out with george clinton s parlet followed by the bonafide p-funk anthem steppin both featuring the stunning vocals by the dames brown girls. amp fiddler is credited for taking both a young j dilla and also q-tip under his wing teaching them his akai mpc techniques, setting the path for some of hip hops finest recordings which have defined the shape of things to come. his musical collaborations & current duties include: moodymann s musical maestro, keyboard wizard for theo parrish s live band, a longstanding funkadelic member, co-writer for sly & robbie, prince, maxwell, jamiroquai & seal to name a few.

die doppel-lp im klappcover ist in limitierter auflage für kurze zeit wieder erhältlich! -music is the rod- kommt mit den 24 besten tracks des sängers, mit fotos und ausführlichen liner notes von bridgett anderson, der ehemaligen managerin von garnett silk, und anthony rochester (seinem partner für das songwriting), sowie zitaten der verschiedenen produzenten: bobby -digital- dixon (digital b), donovan germain (penthouse), chris chin (vp), courtney cole (roof international), richard -bello- bell (star trail), sly dunbar (taxi), danny browne (main street), richie stevens (pot of gold) und phillip smart (tanyah).

das kingston all stars projekt wurde von einigen der talentiertesten musiker kingstons ins leben gerufen um den glorreichen tagen des reggae s tribut zu zollen. angeführt von moss raxlen hat sich ein illustrer kern legendärer sessionmusiker wie z.b.drummer sly dunbar (sly and robbie), bassist jackie jackson (supersonics, beverley’s all stars, toots and the maytals), gitarrist hux brown (lee ‘scratch’ perry, now generation, the revolutionaries, compass point all stars) und keyboardist robbie lyn (now gen, peter tosh, robbie & sly) zusammen gefunden um dieses projekt in angriff zu nehmen. mit einem begleitenden, etwas später erscheinenden, dub album und einer reihe von live auftritten in verschiedenen ländern ist das album nur der beginn der kingstion all stars.

limited editiondas kingston all stars projekt wurde von einigen der talentiertesten musiker kingstons ins leben gerufen um den glorreichen tagen des reggaes tribut zu zollen. angeführt von moss raxlen hat sich ein illustrer kern legendärer sessionmusiker wie z.b.drummer sly dunbar (sly and robbie), bassist jackie jackson (supersonics, beverleys all stars, toots and the maytals), gitarrist hux brown (lee scratch perry, now generation, the revolutionaries, compass point all stars) und keyboardist robbie lyn (now gen, peter tosh, robbie & sly) zusammen gefunden um dieses projekt in angriff zu nehmen. mit einem begleitenden, etwas später erscheinenden, dub album und einer reihe von live auftritten in verschiedenen ländern ist das album nur der beginn der kingstion all stars!

editions mego is proud to publish the third release by sendai. comprised of peter van hoesen and yves de mey, ground and figure presents the duo reside in a more economic framework which allows the sound and rhythm they produce more room to shift, swirl and swim the circumference of the audio spectrum. moving away from the twitchiness and anxiety of the earlier output ground and figure is a vast spacious journey from a duo in full control of their chosen path.
throughout ground and figure abstraction and rhythm weave amongst each other in such a sly manner that the resulting tension in the conflicting elements presents the listener with a hypothetical high-tech elastic percussive grid. a thudding, pulsating, shapeshifting ambient beast is summoned by these two creators working as one.
this is machine music. this is hypnotic disorientation. this is an immense ambitious and refined world of sound and rhythm. this is the work of two producers who continuously try to top up their skills.
the double vinyl lp includes a download code.

classic trip hop album !!! re-issue

2016 re:issue presssed on 180gr , incl mp3 download card
- dub mixes by mad professor

mit elf ausgezeichneten coverversionen von bob marley songs. hier finden sich u.a. slave driver (vom album catch a fire) in der version von bob marleys lieblingssänger dennis brown, im still waiting (im original als studio one 7-single) in der definitiven version von delroy wilson, heathen (vom album exodus) in einer superben version von cocoa tea, produziert von bobby dixon, forever loving jah (vom album uprising) in der hitversion von marcia griffiths & tony rebel, produziert von donovan germain,waiting in vain (vom album exodus) in der jamaikanischen version von leroy smart, produziert von joseph hookim für channel one,crazy baldhead (vom album rastaman vibration) in der version von luciano & beenie man mit einem sensationell tiefer gelegten bass von sly & robbie.

once again its on. after a brief hiatus secret society return on their brand new label. since their very first release, our society support has been building for the deep house outfit from nyc. the debut ep on their label is heavily influenced by the deep, dubby house sounds of new york, chicago and detroit.